This week Wimbledon opens. One
fascinating aspect is the changing nature of women's fashion 
 as it offers
insight into a cultural and social history of women's participation in sport . 
For background on the history of the tournament see the official Wimbledon website 
 In 1884, 19 year old  Maud Edith Eleanor Watson won the first ever
Ladies’ Singles title. Playing in white corsets and
petticoats, from a field of thirteen competitors, she defeated her older sister in the final
to claim the title and the ward of a silver flower basket valued at 20 Guineas.  
On 27th July 1884 , The Observer reported (LSE staff/student login)
that the popularity of tennis as a past time amongst women had led to the decision at Wimbledon to 
give a prize to members of the 'fairer sex' and 'This 
novelty proved a great entertainment for the spectators'.
One of the concerns about women's participation in sport focused on clothing. A contemporary article from Vogue
Fashion: Vogue: Will woman ever be moved to amend her costume. (1893, Jan 07). Vogue, 1, 49-49, 50. discussed the issues relating to dress reform and the 'freedom from petticoats'
The earliest players continued to wear corsets. However by the 1920s  comfort had prevailed. French player Suzanne Rachel Flore
Lenglen, 
 who won 31 Championship titles between 1914 and 1926, was one
 of the first women to abandon corsets. At the time she was regarded as 
controversial both for her style of dress, celebrity lifestyle and decision to play as a professional. Some typical headlines for the time include:
Suzanne, as film actress (1926, Apr 23). The Manchester Guardian 
Vogue magazine featured her in a number of articles on how to dress stylishly for tennis.
'
 This ideal tennis frock is a sleeveless model of white washable silk 
with box pleats across the front and a plain panel at the centre back. 
Its extreme simplicity and practicality are important factors in its chic'
In Australian Womans Weekly
1933 (Available via Trove) there is a fascinating picture of a 
practical type of shorts she designed to allow movement without 
displaying too much of the legs. By July 1934, the magazine was 
proclaiming that similar costumes were so popular that 
Other newspapers and magazines published articles and adverts expressing concerns about womens dress and sport.In a 1926 advertisement
CALLISTHENES."Varieties Of Correctness." Selfridges stated that they were equipped to advise on correctness of dress in their sports wear department Times [London, England] 26 Apr. 1926: 12.
and in 1928 Vogue published an article 
Fashion: New tennis rules demand white and ban sleeves.
 (1928, Jul 15). Vogue, 72, 62-62, 63.which promoted the once shocking 
sleeveless dresses as practical and fashionable for modern women playing
 tennis.
However
 dress controversies continued throughout the 20th century. In 1949 the 
short skirts worn by Gertrude Moran provoked a storm as they were 
designed to show her frilly underwear. The New York Times reported. 
Gorgeous gussie's lace-fringed panties no. 1 attraction on Wimbledon's courts. (1949, Jun 21). She was condemned as vulgar and a sin by the All England Club and in 1950 the New York Times reported Gussie Moran's designer loses wimbledon job over new panties. (1950, Feb 23). New York Times  The Australian Womens Weekly was as late as 1955 publishing articles on the stir at Wimbledon
To do more research on these continuing controversies! 
Try the specialist Kenneth Richie Library based at Wimbledon which has the official archive
Try the specialist Kenneth Richie Library based at Wimbledon which has the official archive
LSE Library search has references to materials from the womens Library @LSE
including historic books from Suzanne Lenglen
See our Gender studies subject guide for help in locating more journal articles using our databases and historic newspapers online.
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